Hasselblad unveiled the 907X camera body in 2019 alongside the CFV II 50C digital back. Hasselblad has today unveiled the CFV 100C digital back. The 907X and CFV 100C combine to offer what Hasselblad calls "the most versatile medium format camera" in the industry.
Twenty years ago, few photographers would have questioned your choosing to go out with black and white film loaded in your camera of choice. Today, when I tell people my digital medium format camera shoots only in monochrome, I am prepared to receive just as much criticism as confusion.
Photographer Mark Fore has a classic Hasselblad 500C/M that he would love to shoot digitally, but he didn't want to drop $6,400 on the new 907x 50c with the compatible CFV II 50C digital back. Instead, he picked up a 17-year-old Phase One H20 for less than $600 on eBay, and he couldn't be happier about it.
The 'I'm Back' is ... well ... back. The digital converter that lets you add a sensor to old 35mm SLRs (and, later, medium format cameras) is back on Kickstarter with a new-and-improved model that expands compatibility to more old cameras, adds a manual shooting mode, and more.
Sean from Fotodiox has created a fun step-by-step guide that will show you how to turn any portable scanner into a 4x5 digital back for large format cameras. DIY lovers, get your tools ready, this is both simple and effective.
Hasselblad has announced the 907X, the smallest medium format camera body ever made by the brand. Paired with the upcoming CFV II 50C digital back, photographers will be able to shoot medium format digital photography with a classic Hasselblad experience.
The I'm Back digital back for old 35mm cameras generated a huge amount of hype back in October 2017, but its first Kickstarter campaign fell short. The second attempt successfully funded, though, and now the product has entered production in Hong Kong.
The Danish camera company Phase One has announced the new Phase One XF IQ4 camera system, which the company calls "a giant leap forward in photography." It's three full-frame medium-format camera systems based upon a new and expandable Infinity Platform.
I'm Back is a new device that promises to "bring back" analog cameras by giving them the ability to shoot digital photos and video.
Phase One today unveiled the IQ3 100MP Trichromatic Digital Back. It is based on a new CMOS sensor that perceives color close to what the human eye sees. The new sensor was created in a collaboration between Sony and Phase One.
Photographer Rick Wenner was recently sent to Wildwood, New Jersey, to shoot a peculiar event called "The Race of Gentlemen." It's a gathering of drag racers who speed across a beach on pre-war era hot rods and motorcycles -- the "perfect event for black-and-white photography," Wenner says.
Leica offers the M Monochrom for photographers who want to limit themselves to only black-and-white photography. Today Phase One joined that party: the company just unveiled the IQ3 100MP Achromatic, the world's first 101-megapixel medium format back that shoots only B&W.
Ever since the advent of digital cameras, some film photographers have dreamed of having a way to convert their beloved film cameras into digital ones. Photographer Robin Guymer took matters into his own hands: using his knowledge of electronics, he converted a Sony NEX-3 mirrorless camera into a digital back for his film Nikon FE SLR camera.
When you're talking about 100MP medium format digital backs, 'affordable' is a very relative term. That said, the new IQ1 100MP digital back Phase One just announced is definitely affordable... relatively speaking. For the first time, you can get a 100MP sensor for just $33,000.
Phase One today announced a new 100MP CMOS full-frame digital sensor for the XF camera system. "The ultimate camera system has arrived," Phase One says.
Well, that didn't last long. Only a few days after Hasselblad revealed the exciting news that a 50MP CMOS Medium Format camera was in the works, PhaseOne has made a very similar announcement. Like Hasselblad, PhaseOne is calling this one a "world's first," only this time the title is "world's first CMOS-based medium format digital camera back."
Good or bad, photography as a medium is closely tied to the technological heritage of our cameras. As a result, technological developments often influence the type of gear we use and the type of photographs we take.
With that in mind, here are some areas of innovation that are likely to create even more change in the way we take pictures and the way manufacturers design cameras in the future.
Back in early August, we told you about Badass Cameras and their plan to create an adapter that could turn your iPhone into an uber-cheap (relatively speaking) digital back for your old Hasselblad film camera. Well, the wait is over. Arriving on Kickstarter a bit later than expected, the Hasselnuts adapter does just that.
The idea of fitting electronics into a film SLR in order to capture digital photos with it is not new. The thing is, most of the ideas we've shared ranged from April Fools jokes to promising concepts that never seem to advance beyond that.
The DigiPod is the first product we've seen actually become a reality. It's a digital cartridge that fits inside your old film SLR, and if it makes it to market, it could be quite groundbreaking.
A proper digital back for medium format cameras can easily set you back thousands of dollars, but a new company called Badass Cameras is hoping to disrupt that. The company says it's building an adapter that will let you use your smartphone as an uber-cheap digital back for your camera.
Whoa... Big news on the camera patent scouting front today: Nikon appears to be tinkering with the idea with creating a special 35mm SLR replacement back that would turn a film camera into a digital camera!
This Holga camera is named the “Holga-Cam of the Apocalypse” and is worth $24,000. Photographer …
In this social media age, companies are constantly dreaming up all kinds of random ideas for demonstrating the benefits of their products, and hoping that the videos will go viral (an example would be this bulletproof glass CEO that literally stood behind his product).
Photographer Mitchell Feinberg wanted to continue shooting 8×10 large format once his Polaroid …