setup

If you shoot headshots and/or portraits, clamshell lighting is something you should definitely become familiar with. This versatile and easy-to-create lighting setup produces a very flattering look useful for a variety of portrait situations.

In this article, we are going to take a look at rim lighting. As you might guess, rim lighting is used to light a portion of the edge of your subject. While it is most often used as part of a multi-light setup, it can be used on its own for dramatic effect.

Loop lighting is a very common style of portrait lighting that is seen very often in portrait photography. In fact, if you’ve spent much time at all shooting in a studio, you’ve probably employed loop lighting without specifically trying to.

Butterfly lighting has long been a “go-to” setup for fashion close-ups as well as other portraits where one wants to emphasize cheekbones and frame the face in shadows from below the chin.

In this tutorial, we share our lighting setup for a piece of glass stemware using minimal gear. To mimic this shot, you will need a black background, stripboxes, and speedlights.

It’s a rare occasion when I do a team collaboration on a personal shoot. I typically prefer to work directly with the model, having them bring their own wardrobe and arrive with their hair and makeup already done. It not only saves time and is easier to coordinate but I also love the challenge of coming up with a cohesive theme for the shoot, basing my techniques, lighting, and color palette on the items that they brought with them.

I'm San Diego-based photographer Daniel Schenkelberg, and in the 1-minute video above, watch as I show you how I captured this face on remote camera shot mid-air.

I recently tested the Nikon D850 with some of the world’s rare and exotic plants at the world-famous Huntington Library, Art Collections and Botanical Gardens outside Los Angeles.

Are you planning an outdoor landscape photo adventure? This video from landscape photographer Thomas Heaton will give you some ideas on how to optimize your pack. It's a 12-minute look through the gear he’s settled on for his camping photo trips.

When you’re taking corporate headshots, you often have a tight window in which to fit everything in. But usually you're also going to be expected to create more than one look. Jay P. Morgan of The Slanted Lens runs through his simple setup in this 5 minute video.

Looking to do product photography on a budget? The lighting setup found in the 6-minute video above by DSLR Video Shooter will cost you only $50 and involves just one light source: a 24" x 24" soft box.

Looking for a great winter photography project? How about snowflakes? If you live in the Northern tier of states I promise you will have plenty of subjects to shoot.

One of the things you learn in sports photography is that with so many photographers on the sidelines, you’re bound to get the same photo as someone else. Obviously the one way to prevent that is to find a different angle, but sometimes you’re limited on space.

This is the archerfish from Asia. These amazing fish have the unusual habit of feeding on land-based insects. Even more unique is their method of hunting their chosen prey: they spit a powerful jet of water at their dinner knocking it from overhanging foliage into the water, where the fish quickly gobbles them up!

I’ve been shooting festivals for a number of years now. In the pit, backstage, on-stage, around the site… While all of that is great (like, really really good fun) I’ve had an idea knocking about for a while now.

In this post I'll be sharing the best one light portrait setup I've ever used. I'll come clean right off the bat here and say that I stumbled across this little super easy lighting technique more by luck than skill.

Photographer Jason Miney wants to make it easier to use neutral density (ND) filters for your photographs. His upcoming product Lightswitch is a filter holder system that aims to do just that.

Photographer Miguel Quiles recently created this quick, informative behind-the-scenes look at how he shot an impressive set of fitness photos using just three lights in a fairly small studio setup.

Karl Taylor has shared a new video highlighting just how important and impactful proper lighting can be no matter what camera you choose to use. In the anecdotal video, shown above, he pits a Canon 5D Mark III against an Olympus OM-D E-M10 in the studio to show you just how similar the results are when the lighting, not the camera, is the focus of the image.

If you’re looking for a dead-simple product shot setup that will yield impressive results, this two minute tutorial is just what you’re needing.

Photography can be an expensive hobby to get into. With most DSLRs nowadays coming in at around $400 for even the lowest of consumer level cameras. By the time you add in accessories, the financial aspect can be a bit demanding for a newbie.

But just because it can be financially demanding doesn’t mean it has to be, as our friendly neighborhood DRTV stars explain in the useful video above.

With LED lighting systems growing in popularity for both video and photo use, it’s inevitable some interesting variations of such setups are going to come out. Case in point: behold the RagLite, or as its creators prefer to call it, “the first-ever flexible LED light bank.”

Have you ever watched slow motion car crash tests and wondered how they go about capturing the imagery they do? Well, if you have, the above video might answer some of your questions.

In the video above, I'm shooting with a DSLR (a Canon 6D in this case) and everytime I snap off a shot it goes instantly to a web gallery... from the road anywhere. I got the idea while contemplating doing live video streaming for the first time this year. Not wanting to mess with another camera as I stormchase, I thought, it'd be cool to do the same thing but have the live page be for DSLR photographs.

I'm in Cologne, Germany covering Photokina right now. It's the day before the trade fair opens, and as I was walking through the exhibition center to a press event (which I'll write more on soon), I passed by some of the main exhibition halls. Instead of the squeaky clean "photographer's Disneyland" that guests enjoy when the fair is up and running, everything was a mess, as companies were working hard to set up their impressive displays.

Since this isn't a view that most people who visit the fair see -- after all, who wants to waste time walking around a day early? -- I decided to roam around and snap some photos of what Photokina looks like the day before opening.

Photographer Christian Lobo came up with this thrifty macro setup that uses his Canon Rebel T3/1100D and a 50mm f/1.8. It might look ghetto, but it actually functions pretty well for casual macro photography.

Here's a tutorial by photographer Joe Edelman that teaches how you can build a studio lighting setup with fluorescent lights for under $200. You can find a detailed parts list over in the description of the video on YouTube.

Here’s a helpful video that shows how you can optimize your Canon DSLR for video recording based on …