Vintage lenses are more popular than ever, thanks in large part to the mirrorless revolution as well as affordable, high-quality cinema and hybrid video cameras. These lenses are regularly “cine modded” for video use due to their unique character and less clinical rendering, (sometimes) affordable prices compared to cine lenses, helicoid-driven focus with hard stops, and physical aperture rings (which are often de-clicked).
Those who enjoy using vintage lenses will often acquire them in fine working order, but without lens caps. There are some creators who have made instructions to 3D print new ones, but they all have fatal flaw.
The world of vintage lenses can provide a whole new experience to photographers but not everyone knows how to get started. To help others explore the unique characteristics of these decades-old lenses, a filmmaker has shared his best tips.
Some lenses produced from the 1940s through the 1970s were treated with radioactive thorium oxide to curb chromatic aberration. But as Andrew Walker explains in this 7.5-minute video, modern digital cameras can actually "see" that radiation as image noise that has the potential ruin your long exposures.
Photographer and YouTuber Mark Holtze has put together a quick video that offers some advice for beginners or other photographers on a budget. Specifically, he shares his top five reasons why you should go out and buy a vintage macro lens.
As with a majority of newbies to photography, the obsession with gear and chasing the newest toys proved to be irresistible to me. I spent far more time reading reviews, comparing charts, watching youtube videos, and looking for deals than actually going out and shooting.
Photographer and YouTuber Mark Holtze thinks that you (and everyone else) should give vintage lenses a try. And in the video above, he lays out his top 5 reasons why you should try vintage glass in 2020.
Andrew of husband and wife photography team Denae and Andrew recently partnered up with KEH to test out 10 of the best-selling vintage 50mm lenses on the used market. From old Nikon and Canon glass, to Minolta, Pentax and even a Contax lens, all of these can be had for under $100, and Andrew wanted to find out which of the 10 performed best.
Photographer Mathieu Stern has been doing shootout comparisons showing how the same models look when captured through different vintage lenses. For this 5.5-minute video, Stern used the Konika Hexanon 28mm f/3.5, the Minolta 100mm f/2.5, and the Industar 50mm f/3.5.
Photographer Mathieu Stern recently put 3 vintage lenses to the test in a portrait shootout at 4 different locations. The 5-minute video above compares the Soligor 21mm f/3.8, Canon FD S.S.C. 50mm f/1.4, and Helios 103 53mm f/1.8 with a tilt adapter.