How ‘Poor Things’ Cinematographer Filmed Emma Stone’s Viral Dance Scene
The cinematographer behind Poor Things has revealed how he filmed the movie's iconic dance scene between Emma Stone and Mark Ruffalo.
The cinematographer behind Poor Things has revealed how he filmed the movie's iconic dance scene between Emma Stone and Mark Ruffalo.
Sir Roger A. Deakins is widely considered to be one of the greatest cinematographers of all time. He has won two Academy Awards and sixteen nominations for his cinematography of over 70 feature films.
Apple appears to be getting more confident with the imaging capability of its mobile devices as it just published a 30-minute long, epic Bollywood film shot entirely on iPhone.
The 2023 Chinese New Year Celebration film titled "Through the Five Passes" was shot entirely through the lens of an iPhone 14 Pro and shows the incredible heights that can be reached with a camera that fits in a pocket.
Filmmaker Antoine Frioux is known for smooth, tracking shots of freestyle skiers. He usually uses gimbals to capture his footage but was given the opportunity to try replicating the footage with the DJI Ronin 4D.
Intelligent robot technology has expanded beyond cinematography and has found its place in photography now, too, as shared by a photo and video production company that has started to use one to achieve shots and angles that would be hard to replicate manually.
How do filmmakers and photographers fake rain for the cameras? A team of creatives has shared a behind-the-scenes look at ways to add fake rain to scenes and how to combine it with lighting for a natural but atmospheric look.
NiSi Optics USA has announced the the Circular Black Mist Filter that it says is ideal for cinematographers as well as street, portrait, and wedding photographers.
ZY Optics has annoucned four new ultra-fast Mitakon Speedmaster T/1.0 cinema lenses for filmmakers, covering a variety of focal lengths and lens mount compatibility encompassing Micro Four Thirds, Super 35, and Full-Frame.
Photographers can learn a lot about composition and color theory from great cinematography. Case in point: in this video, filmmaker Sareesh Sudhakaran of Wolfcrow explains how great movies will often use the 'Three Color Rule' to capture and keep a viewer's attention.
Cinematography and photo nerds rejoice: One Perfect Shot—the popular Twitter account that distills movies down into a single 'perfect' frame—is being adapted into a docuseries for the streaming service HBO Max that promises to be something pretty special.
So you’re about to shoot someone’s wedding. That’s amazing -- it’s an incredible opportunity to be part of one of the most intimate and beautiful experiences in human love. But between photography and videography, which medium gets the job done?
As the name of the filter alludes to, these lens filters do indeed lower the overall contrast of a shot. To clarify what that means in relation to photography: these filters will reduce the darkness of the shadows by allowing light to bleed into them from surrounding highlights.
The 2019 Oscars are just a day away now. If you'd like a dose of visual inspiration, check out this 10-minute video by Burger Fiction. It steps through every single film that won the "Best Cinematography" Oscar over the past 90 years, from 1929 to 2018 (and 2019 nominees as well).
DJI just announced the DJI Zenmuse X7, the world's first Super 35mm camera optimized for aerial cinematography. It's designed primarily for the DJI Inspire 2 drone and features interchangeable lenses as well as a new DJI Cinema Color system for greater creative freedom in cinematography.
Here's a 2-minute video that offers a look at how the HBO series 'Insecure' makes its black actors look so good on camera. What is it that makes everyone "pop" so much on screen?
Sometimes people ask me why I started shooting videos on a phone and the answer is not that easy. I believe the best camera is the one we always have with us, in our pocket. Maybe it's not the most powerful of course, but at least we can bring it with us all the time.
Did you think DxOMark's sensor scores topped out at 100? It turns out, no. RED's Helium 8K S35 sensor just scored a jaw-dropping 108, ten full points higher than the highest scoring full-frame sensor ever tested, the Sony A7r II.
Ever wonder what the difference between an F-stop and a T-stop is? If you've never bothered to look up and understand this bit of light transmission trivia, listen up: this simple video does the work for you.
For many advanced photographers, the rule of thirds is seen as something of a beginner's trope or amateur construct, but learning how, why, and when to break it can be a challenge. This short episode of Brain Flick helps deconstruct that question and explain why and when "bad" compositions work.
Edelkrone's motto, lately, seems to be: "Why not? Let's give it a shot!" It's the spirit behind products like their StandPLUS, the "reinvented tripod", and the strange-but-probably-useful Povie smartphone necklace mount. And it's the same spirit that, today, brings us the Edelkrone Wing.
Digital Bolex burst onto the scene four years ago through a highly successful Kickstarter campaign for its first cinema camera. But despite the admiration they've earned from cinematographers since March of 2012, the company has announced that it will soon close up shop.
Start your day off with a bit of high-flying inspiration, courtesy of some of the most talented aerial filmmakers out there. From extreme athletes to roiling volcanoes, this footage ought to get your heart pumping at least as well as that half-finished cup of coffee on your desk.
DJI just released something really interesting. It's called the DJI Focus, and it lets you manipulate your camera's focus and aperture wirelessly and from the ground.
You might want to take some anti-nausea meds before you watch this one. Balance, a film by Tim Sessler and Brandon Bray, is a dizzying, disorienting display of drone cinematography that may just leave you slack jawed. It's also the first drone film we know of to use the famous "vertigo effect," AKA dolly zoom.
Almost everything I do as a photographer comes back to this challenge: seeing light as a cinematographer would on set. I was recently reminded of this in conversation with a friend and fellow photographer as I was trying to think of the best advice I could give to someone wanting to step up their lighting game. So I’m sharing one of my lighting journals from film school, it was my sort of “ah ha” moment after several semesters of confusion and frustration when it came to lighting.
The Revenant is an upcoming western thriller film that's inspired by the crazy life of explorer and fur trapper Hugh Glass. Starring Leonardo DiCaprio as Glass, the rugged and violent movie has one quality that may be of interest to photographers: it was shot nearly 100% with natural light.
SteadXP, which we first wrote about in September 2014, is a small box that is promising to stabilize some of your most problematic videos. By using an external system that tracks where in space the camera is currently positioned at any given time, stabilization software can do a more efficient job at making your video nice and smooth. No bulky steadycam or gimbal is needed for this lightweight solution.
Director Sean Baker’s latest film, Tangerine, features two transgender prostitutes in Los Angeles on a hunt to find a cheating boyfriend. If that premise isn’t interesting enough to attract your interest, then consider how it was filmed: the movie had a budget of $100,000 and was filmed entirely using the iPhone 5.
Cinema and photography are two close-knit relatives that help us to tell stories through the use of a camera and mindful composition. This week, we are taking a look at the visual style heavily relied upon by the film noir genre that was most prevalent in the mid 20th century. Through the exploration of Hollywood's film noir visuals, we can learn a bit more about the history of cinema while finding inspiration for our own work.