It has been a great year for the L-Mount Alliance. The alliance welcomed new members Samyang and Astrodesign in July, and Blackmagic Design joined in September.
Sony is on its second version of a pro-level 70-200mm f/2.8 G Master lens. Tamron recently released its second 70-180 f/2.8 G2 lens. A professional 70-200mm f/2.8 was one of the first lenses released by Panasonic for its Lumix full-frame bodies. And in all this time, where has Sigma been? Well, the wait is over. Sigma has finally released the 70-200mm f/2.8 DG DN OS Sports series lens, but was it worth the wait?
Sigma's long requested and highly anticipated 70-200mm f/2.8 DG DN OS "Sports" lens will arrive for $1,499 on December 7 for Sony E and Leica L mount.
Leica added two wide-angle lenses to its L-mount portfolio this morning: the Super-Vario-Elmarit-SL 14-24mm f/2.8 ASPH and the Super-APO-Summicron-SL 21mm f/2 ASPH.
7Artisans announced a new 9mm f/5.6 full-frame ultra-wide prime lens for the most popular mirrorless mounts that promises a relatively close focusing distance and a 132-degree viewing angle.
Sigma has not released a new camera since 2021 and doesn't currently have an APS-C camera, otherwise known as a crop sensor, in its lineup. In fact, it hasn't made one since the sd Quattro in 2016. That should change, and I believe it's about to.
Alongside the Sigma 10-18mm f/2.8 DC DN Contemporary lens for APS-C mirrorless cameras, Sigma has announced the development of a new full-frame f/2.8 zoom lens, the Sigma 70-200mm f/2.8 DG DN OS Sports.
Fotodiox's RhinoCam Vertex stitching adapters have been available for some time but the company finally has a version for L-mount cameras.
TTArtisan has announced a 500mm f/6.3 telephoto lens for full-frame mirrorless cameras, including E, L, RF, and Z-mount.
Yesterday, Blackmagic Design announced its first-ever full-frame cinema camera, the Cinema Camera 6K. The camera is significant for many reasons, not the least of which is that the full-frame camera sports an L-Mount, marking Blackmagic Design's entry into the growing L-Mount Alliance.
Panasonic has added two more zoom lenses to its full-frame L-mount roadmap: a large aperture standard zoom and an ultra-telephoto zoom.
Venus Optics will launch a crowdfunding campaign for a set of Laowa Nanomorph anamorphic lenses alongside a 1.33x anamorphic adapter at the end of August.
Sigma has been celebrating its 10th year in the Chinese market this July and is capping the festivities with a 35mm f/1.4 DG DN Classic that has the same optical construction as the original lens but without coated elements, which emphasizes flare and lightens contrast.
The L Mount Alliance has acquired two new members: Samyang and Astrodesign. While the latter is likely less known to photography enthusiasts, Samyang is quite a well-known brand that has become relatively respected over the last few years.
Fotodiox's new Cine Edition Fusion adapters allow Canon EF cinema glass to mount to L or RF-mount cameras, support full electronic connection including autofocus, and can include a built-in variable neutral density (ND) filter.
"Inspired by the classics," Leica has launched a new silver edition of its full-frame SL2 camera. The L-mount camera has previously only been available in black, but now comes in a stylish black and silver color for the same price.
Leica has announced the new Vario Elmar SL 100-400mm f/5-6.3 lens, which is now the longest lens in its SL-series lineup. It is also joined by a new 1.4x extender that extends its reach even further.
Leica is expanding the native lens support for its L-mount SL-System cameras, the SL2 and the SL2-S, with the addition of the Summicron-SL 35mm f/2 ASPH and the Summicron-SL 50mm f/2 ASPH.
Sigma's new 60-600mm f/4.5-5.6 DG DN OS Sports lens is the world's first 10x ultra-telephoto zoom lens for mirrorless cameras and features six stops of optical stabilization at the telephoto end and seven stops at the standard end.
Pergear has announced a new $129 35mm f/1.4 full-frame manual focus lens for Sony E, Canon RF, Nikon Z, and Leica L mounts.
Leica innovated the heck out of the camera with the Leica 1 back in 1925, breaking new ground with the Leica 2 and then the M3. However, not so much in recent years and I argue the "classic" M is now actually holding back Leica's innovation.
Panasonic has announced a new large-aperture ultra-wide prime lens to its L-mount lineup: the Lumix S 18mm f/1.8. This new lens brings its total f/1.8 prime lens support for its S-series cameras to five optics.
Meike has announced a pair of macro extension tubes designed for use with L-mount Panasonic full-frame cameras. The MK-L-AF1 set comes with both a 13mm and an 18mm extension tube.
Sigma's two newly introduced wide-angle lenses are going to impress a lot of people with their large apertures and reasonable prices.
Sigma has announced two new primes that bolster its lineup of wide-angle options for full-frame Sony E-mount and Leica L-Mount cameras: the 24mm f/1.4 DG DN Art and the 20mm f/1.4 DG DN Art.
DJI has announced that it is joining the L-mount alliance, becoming the fifth member of the group along with Leica, Sigma, Panasonic, and Leitz Cine.
This Sigma 16-28mm DG DN Contemporary is the latest addition to the pile of really darn good lenses that don’t cost thousands of dollars.
Venus Optics has announced a set of Laowa Nanomorph anamorphic lenses that are designed for Super35, APS-C, and Micro Four-Third cameras. They feature Laowa’s patented optical structure which makes them the smallest anamorphic lenses on the market.
Venus Optics has announced that the Laowa 85mm f/5.6 2x Ultra Macro APO it launched last year for Nikon Z, Canon RF, Sony E, and Leica M mounts is being released for Leica L-Mount.
Panasonic has announced a new large-aperture wide prime lens, the Lumix S 35mm f/1.8. This is the fourth of four promised lenses in the f/1.8 fixed focal series that also features an 85mm, 50mm, and 24mm, all announced in the last year.