Sony is on its second version of a pro-level 70-200mm f/2.8 G Master lens. Tamron recently released its second 70-180 f/2.8 G2 lens. A professional 70-200mm f/2.8 was one of the first lenses released by Panasonic for its Lumix full-frame bodies. And in all this time, where has Sigma been? Well, the wait is over. Sigma has finally released the 70-200mm f/2.8 DG DN OS Sports series lens, but was it worth the wait?
Sigma's long requested and highly anticipated 70-200mm f/2.8 DG DN OS "Sports" lens will arrive for $1,499 on December 7 for Sony E and Leica L mount.
Fotodiox's RhinoCam Vertex stitching adapters have been available for some time but the company finally has a version for L-mount cameras.
The previously rumored Zhong Yi Optics (ZY Optics) APO 200mm f/4 Macro 1X Lens is official and available now for a wide range of lens mounts, including Sony E, Nikon Z, Canon RF, Leica L, and Fujifilm X.
Arriving in stores only weeks apart and at the same price, the Panasonic S5 IIX and Sony ZV-E1 are full frame, video optimized cameras designed for creators. Obviously, I had no choice but to compare them!
When I reviewed the Laowa Argus 35mm f/0.95 I was struck by how bad it was, but also how good it could be. Normally, I rate a lens based on how well it handles flare, how sharp it is, and how well it controls chromatic aberrations. Going by the above criteria, the Argus should have failed spectacularly.
Sigma has announced three new compact prime lenses and the upcoming availability of three existing lenses for the Nikon Z-Mount.
Venus Optics has announced a new Laowa Argus 28mm f/1.2 prime lens for full-frame cameras. Billed as the fastest 28mm for full-frame on the market, the new lens is available for Leica L, Nikon Z, Sony E, and Canon RF mounts.
Leica has announced the new Vario Elmar SL 100-400mm f/5-6.3 lens, which is now the longest lens in its SL-series lineup. It is also joined by a new 1.4x extender that extends its reach even further.
Sigma says it aimed to redefine what a standard lens means for its support of mirrorless full-frame lenses when it created the 50mm f/1.4 DG DN Art, which balances size, weight, and autofocus with pro-level optical performance.
TTArtisan recently announced a new standard-length prime lens for Sony, Fujifilm, Nikon, Canon, and Leica APS-C cameras: the 35mm f/0.95.
Leica is giving its SL2-S the "Reporter" treatment, outfitting the camera with a more resilient exterior to make it better able to resist extreme temperatures, shocks, dust, and water.
Venus Optics has announced the new Laowa 58mm f/2.8 2X Ultra Macro APO, a lens designed specifically for mirrorless full-frame cameras and available for Sony E, Canon RF, Nikon Z, and Leica L mounts.
Sigma has announced the 20mm f/2 DG DN lens, its seventh and widest optic in the all-metal I Series of compact primes. The lens will be available for both Sony E-Mount and Leica L-Mount.
Sigma has announced the 18-50mm f/2.8 DC DN Contemporary lens which it bills as the smallest and lightest f/2.8 zoom lens for APS-C format mirrorless cameras on the market.
The long-awaited Sigma 150-600mm for mirrorless cameras has finally arrived. Available for Sony E-mount or Leica L-mount, does this redesigned super-telephoto zoom meet the expectations of real-world wildlife photographers?
TTArtisan has announced a new $235 50mm f/1.4 lens for multiple full-frame mirrorless systems: Sony E, Nikon Z, Canon RF, and Leica L.
Sigma has announced the 150-600mm f/5-6.3 DG DN OS Sport lens for Sony E-mount and Leica L-mount. It is the company's first ultra-telephoto zoom lens that Sigma says has been developed from the ground up specifically for full-frame mirrorless cameras.
Zhong Yi (ZY) Optics has announced that the mirrorless Mitakon Speedmaster 50mm f/0.95 lens originally launched for Sony E-mount, Canon RF-mount, and Nikon Z-mount (and later came to Leica M-mount) is now available for Leica L-mount. It is the first-ever f/0.95 lens that has been produced for L-mount.
Leica recently introduced its $2,795 Vario-Elmarti-SL 24-70mm f/2.8 ASPH lens, the latest zoom lens for L-Mount systems. It's not what most would call "cheap," but it certainly is inexpensive compared to the rest of Leica's lineup. But does that mean a dip in performance?
When taking a look at Sigma's newest zoom in its Contemporary lineup, one can't help but draw comparisons to the myriad of other standard-range zoom lenses available. Let's be honest -- it doesn't break any new ground.
Sigma has announced the 35mm f/1.4 DG DN Art lens for E-Mount and L-Mount. The company says that the original 35mm f/1.4 DG HSM that was announced in 2012 -- the first of all the Art lenses that set the standard for the line -- has been redesigned from the ground up specifically for mirrorless cameras.
Leica has announced the SL2-S, a 24.6-megapixel L-Mount full-frame mirrorless camera that puts more emphasis on speed and video performance than the original SL2. Capable of 25 frames per second shooting and ISO up to 100,000, the SL2-S also boasts considerable video prowess.
Update 11/25/2020: Images have leaked that indicate the December 1 Livestream will include three lenses, not just one.
The rumors were right: Sigma has unveiled a new 85mm f/1.4 DG DN Art lens designed specifically for mirrorless cameras. Promising stellar optical performance and coming in at just $1,200, the lens undercut's Sony's 85mm G Master by a whopping $600... and yet it doesn't skimp on features.
After some very accurate leaks last week, Sigma has officially revealed four products today: an affordable 100-400mm f/5-6.3 telephoto zoom lens for full-frame mirrorless cameras, two teleconverters for L-Mount mirrorless lenses, and a USB dock for Sigma's L-Mount and EF-M Mount mirrorless lenses.
Leica, Panasonic, and Sigma have just announced the new L-Mount Alliance, a new collaborative effort based around the Leica L-Mount. The three companies will develop new L-mount full-frame and APS-C mirrorless cameras and lenses.