fineartlandscapephotography

How to Photograph Sand Dunes

How to Photograph Sand Dunes

It’s never a bad day to capture landscape photography on the dunes. This day, in particular though, was truly one to remember and I share a variety of techniques for how I take photos of sand dunes.

michael shainblum photo

5 Tips for Capturing Breathtaking Woodland Photography

Capturing images in the woods can be a fulfilling experience, and I have fond memories of wandering through the forest with my camera in hand. However, finding a good composition can be a challenge and sometimes stressful.

A Song for the Arctic

A Song for the Arctic: The Overwhelming Beauty of Greenland

The beauty of the Arctic is overwhelming. The biting cold and the pristine silence is punctuated by occasional extraordinary sounds, as the glacier ice creaks and falls. At the centre of this beauty are the enormous structures of freshwater ice calved from the glaciers, the great icebergs.

The Key Elements of Composition: Light and the Relationships of Forms

Photographers, from beginners to the most experienced, search for ways to improve their compositions. To be successful in your search, you have to compose an image based on two things above all else: light, and the relationships of forms.

Landscape photos by luke stackpoole

7 Tips for Photographing Dreamlike Landscapes

Luke Stackpoole is a London-based landscape photographer and Adobe Lightroom Ambassador who has traveled around the world in search of dramatic scenery. From the barren deserts of Namibia to the frigid seascapes of Iceland, Stackpoole has amassed a stunning portfolio that shows the world’s most dreamlike landscapes.

Tires, David Zimmerman

‘Pure’ Landscape Photography Versus Including the Human Element

One of the reasons we pursue landscape photography is to connect with nature. Many photographers cite calmness, a sense of peace, and inspiration when they are surrounded by stunning scenery. I am one of them. Unfortunately, it is increasingly common that the encounter is modified by some human-made element.

Death Valley National Park Landscape Photography

How to Leverage a Clear, Cloudless Sky in Your Landscape Photos

If the weather forecast shows clear skies and bright sunlight, it doesn't mean photographers should abandon their plans for a landscape shoot. Photographer Michael Shainblum has shared tips on how he leverages these weather conditions to come home with a successful set of photos.

Ancient Pines by Loch Tulla, near the Bridge of Orchy, Central Highlands, Scotland, December 2012

How it Was Shot: Ancient Pines By Loch Tulla, Scotland

In December 2012, I made my first trip to the Bridge of Orchy. It’s a beautiful area just an hour and a half drive north of the hustle and bustle of Glasgow. It was a last-minute decision to head north from my home as there was the prospect of snow.

Photographer Captures Six Meteor Showers in One Photo

In December of 2020, scientist and photographer Nathan Myhrvold captured over 100 meteors from the Geminids along with five other showers with a custom-designed, four-camera panoramic system. Afterward, they were animated together to show how they fill the night sky.

Trees are poems

A Landscape Series Focused on Trees: ‘Trees are Poems’

Back when I started photographing nearly a decade ago, my main subject was nature and landscapes. Over the years I continued to broaden my motifs to cityscapes, architecture, abstracts, and street photography. I still love to do them all, but there is one theme that has continued to evolve with me over the years, and that is trees.

Canyonlands National Park in 1988

Photographing Canyonlands in 1988: Land of Standing Rocks

In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.

Shimmering Wall: The Story Behind This Photo Taken in 1997

In my previous article, I walked you through the making of one of my signature photographs, Fallen Sequoias, exposed in 1977. I’ve decided to use the same process in the creation of another image, made 20 years later, on a one-day hike with two friends in 1997.