streetphotography

Fujifilm GFX 100 II

Fujifilm GFX 100 II Review: Pushing Medium Format Boundaries

Fujifilm has come to dominate the medium format market and for good reason. Combining the ergonomic controls and autofocusing capabilities of its APS-C cameras with the colossal image quality from the 100-megapixel sensor has paid dividends for the company. Although Fujifilm also uses a 50-megapixel sensor, it's the latest sensors in the GFX 100 line of cameras that steal the show.

Pentax 50mm Review

Pentax 50mm FA f/1.4 HD and Classic Review: A Tale of Two Fifties

I consider myself an ardent supporter of Ricoh/Pentax products and have always endeavored to review its cameras and lenses when many others have chosen not to. I also think that the Pentax brand has really found its niche as more of a boutique manufacturer, focusing on the classic SLR design -- a move that I think makes a ton of sense in today's waning market.

Leica M11-P Review

Leica M11-P Review: As Authenticated as They Come

The Leica M11 series now consists of three cameras. We have the original M11 which I very much enjoyed using on the streets of New York. Then, the M11 Monochrom was released and became an instant classic. I loved taking black-and-white images with it all over Montana. Now we have the release of the M11-P which apart from some minor cosmetic changes is largely the same as the original M11. So, why then should we get excited about such a similar camera?

The Indecisive Moment: Street Photography and AI

I’ve spent countless hours walking streets both near and far from home with My Precious in my hand and a muscle memory for it in my fingers that made it effectively part of me — an extension of my arm. My Precious is, of course, my camera.

On ‘Protecting Your Subjects’ in Street Photography

It’s difficult to see how anyone other than the photographer is responsible for a photograph they may take, although I’m sure there are some specific exceptions – but usually, if a photographer is not responsible for their photograph, then who should be?

Canon RF 28mm Review

Canon RF 28mm f/2.8 Review: A Golden Pancake or a Flop-Jack?

If there was ever a focal length that the manufacturers tend to put by the wayside, it's the trusty 28mm prime lens. You see, ultra-wide lenses are dynamic and 24mm lenses are admittedly more versatile. However, the 28mm range is probably my preferred focal length for walking the streets with only one prime lens.

leica q3

Hands-On With the Leica Q3: Is This the Perfect Street Camera?

Ask nine out of 10 influencers, and the Leica Q2 will still be on their favorites list even though it's three years old. Its timeless styling made it an instant classic, but credit goes to the venerable 28mm f/1.7 Summilux for delivering the goods. Now Leica has released its latest version, the Q3, and we got our hands on a pre-production version to try out.

6 Ethical Considerations When Doing Street Photography

I love street photography, I teach street photography, I promote street photography, I defend street photography, and want everyone to experience the fun of doing street photography!

Robert Frank

Huge Collection of Robert Frank’s Photos Valued at Nearly $3 Million

Sotheby's is presenting On the Road: Photographs by Robert Frank from the Collection of Arthur Penn on exhibition in New York ahead of a live auction on Feb. 22 at 2 P.M. Sotheby's says it's "the world's most expansive private collection of Robert Frank photographs" and the collection includes images across several decades of the late photographer's storied career.

Finding Your Voice in the Non-Verbal Medium of Photography

Language is an underlying reality in our everyday world, present in our thoughts, our words, and even our haptic gestures. When interacting with someone else we are incorporating language to translate abstract thoughts into communication, communication into meaning, and meaning into understanding.

5 Things Every Budding Street Photographer Should Know Before Stepping on the Street

Steam vents, suited businesspeople, the neon glow of the night, umbrellas on windy days, stray glances through bus windows, beachgoers in a boardwalk scene, or silhouetted figures dancing in the sunlight: as photographers, we want to capture things that give life and vivacity to the subjects of the streets. We capture their spirit and do it in a visually interesting way.

Want to See Some Bad Street Photos?

Want to see some bad street photographs? I’ll share them and tell you why I think they’re not good. These photographs were all made during a five-day visit to New York City between October 31 and November 4, 2022.