Samyang is expanding its autofocus cinema lens line with a new 100mm T2.3 full-frame lens. While it is one of the new members of the L-Mount Alliance, the lens is only being made available for Sony E-mount for now.
Reports suggest that the Sony Vario-Tessar T* 16-70mm f/4 ZA OSS lens for APS-C Sony E-mount cameras has been discontinued.
Chinese company TTArtisan announced a couple of new APS-C prime lenses in China, including an AF 56mm f/1.8 lens for E, X, and Z mount cameras and a limited-edition yellow AF 27mm f/2.8 lens for Fujifilm X Series cameras.
TTArtisan's latest release is compact, lightweight, and affordable autofocus-equipped 35mm f/1.8 lens for Sony E, Fujifilm X, and Nikon Z-mount APS-C cameras.
Sony is on its second version of a pro-level 70-200mm f/2.8 G Master lens. Tamron recently released its second 70-180 f/2.8 G2 lens. A professional 70-200mm f/2.8 was one of the first lenses released by Panasonic for its Lumix full-frame bodies. And in all this time, where has Sigma been? Well, the wait is over. Sigma has finally released the 70-200mm f/2.8 DG DN OS Sports series lens, but was it worth the wait?
Sigma's long requested and highly anticipated 70-200mm f/2.8 DG DN OS "Sports" lens will arrive for $1,499 on December 7 for Sony E and Leica L mount.
Sony announced the 300mm f/2.8 G Master OSS, a new $5,999 telephoto prime that simultaneously promises new heights for image quality while also becoming the lightest lens in its class. In fact, it is the world's lightest large-aperture telephoto prime.
7Artisans announced a new 9mm f/5.6 full-frame ultra-wide prime lens for the most popular mirrorless mounts that promises a relatively close focusing distance and a 132-degree viewing angle.
The first thing you notice about the Sigma 10-18mm f/2.8 DC DN Contemporary is just how compact and adorable it is. In fact, Sigma claims that it is the smallest and lightest ultra-wide APS-C zoom lens on the market. Having used it myself, I wouldn’t disagree with that statement.
Sony cameras have for years held significant advantages for photographers but one issue has come up recently that has many upset: a lack of after-purchase support for even the company's most expensive cameras.
Tamron has announced that it is developing a 70-180mm f/2.8 Di III VC VXD G2 (Model A065) for Sony E-mount cameras. This second generation version of the popular optic is expected to arrive this Fall.
Pergear has released a second-generation version of its 60mm f/2.8 macro lens that expands it to full-frame support while maintaining 2x macro reproduction.
Viltrox has released the 75mm f/1.2 lens it originally launched for Fujifilm X-Mount in both Nikon Z and Sony E mount variants.
In Calgary, Alberta, there is a huge annual fair called the Calgary Stampede. A once-a-year celebration dubbed "The Greatest Outdoor Show on Earth". Full of rides, games, and lots of rodeo events, this show attracts 1.5 million visitors each year. One of these guests was the illustrious Ted Forbes and we thought, why not have a good old-fashioned showdown, wild west style?
The Viltrox AF 16mm f/1.8 FE full-frame prime lens features an intriguing blend of a wide focal length, a fast aperture, and a low $550 price. Can it possibly be any good?
The previously rumored Zhong Yi Optics (ZY Optics) APO 200mm f/4 Macro 1X Lens is official and available now for a wide range of lens mounts, including Sony E, Nikon Z, Canon RF, Leica L, and Fujifilm X.
Sony has been working hard to re-release new iterations of its existing lenses because although many of the early lenses were decent, they still left much to be desired. The original G Master zooms, for example, were priced like high-grade professional lenses, but came up short optically.
Sirui's new Night Walker lenses are an affordable set of compact cinema-style lenses that cover APS-C and Super35 sensors and feature a bright T1.2 aperture.
Fotodiox has announced a new super-thin autofocus adapter called the Fotodiox Pro Fusion that allows photographers to use Sony E-mount lenses on Nikon Z-mount camera bodies.
Irix has reformatted two of its older DSLR lenses to be compatible with Sony E-mount cameras. The company promises these new versions maintain excellent image quality but bring improved design such as a new aperture ring and housing.
Viltrox has announced a new 16mm f/1.8 autofocus lens for full-frame Sony E-mount that features a large LCD screen for displaying current lens settings.
TTArtisan has announced a full-frame 100mm f/2.8 tilt-shift 2x ultra macro lens for Sony E, Fujifilm X, Canon RF, and Nikon Z mounts.
Arriving in stores only weeks apart and at the same price, the Panasonic S5 IIX and Sony ZV-E1 are full frame, video optimized cameras designed for creators. Obviously, I had no choice but to compare them!
When I reviewed the Laowa Argus 35mm f/0.95 I was struck by how bad it was, but also how good it could be. Normally, I rate a lens based on how well it handles flare, how sharp it is, and how well it controls chromatic aberrations. Going by the above criteria, the Argus should have failed spectacularly.
Samyang has announced a new 35-150mm f/2-2.8 lens for Sony E-mount which features a wide zoom range typically associated with "all-in-one" style kit lenses but with a fast variable aperture that is uncommon in that segment.
Sigma has announced three new compact prime lenses and the upcoming availability of three existing lenses for the Nikon Z-Mount.
Venus Optics has announced a new Laowa Argus 28mm f/1.2 prime lens for full-frame cameras. Billed as the fastest 28mm for full-frame on the market, the new lens is available for Leica L, Nikon Z, Sony E, and Canon RF mounts.
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
If there is one thing that can be said about DJI's cinema camera endeavors, it's that they are unique. The Ronin 4D was already a major shift from traditional systems, and now the Ronin 4D Flex is yet another play on the design.
Sony’s new Sony 50mm f/1.4 GM is a compact, fast, and high-resolution lens in Sony’s upper-echelon G Master lineup, and it joins Sony’s already flush 50mm focal length lineup.