Samyang is expanding its autofocus cinema lens line with a new 100mm T2.3 full-frame lens. While it is one of the new members of the L-Mount Alliance, the lens is only being made available for Sony E-mount for now.
Following DPReview publising its Sony a9 III studio test shots, PetaPixel wrote about our hands-on experience with the a9 III's image quality. We wanted to add more context to that discussion, even if it spoils parts of our impending review.
Meike's promised 85mm f/1.4 autofocus lens that it announced in April is finally shipping for a very reasonable $470. But the promised RF support is, as most probably predicted, probably not coming.
Sirui has announced its new budget-friendly trio of autofocus f/1.2 prime lenses for APS-C systems. The new Sniper Series 23mm, 33mm, and 56mm prime lenses are available for $299 each or $849 for the whole set.
Nikon has announced the fourth firmware update for the Z9 that brings new features to the flagship camera. While smaller than previous updates, it demonstrates Nikon's commitment to its hardware, even if it is years-old.
Megadap has announced its third generation Sony E-mount lens to Nikon Z-mount camera autofocus adapter, the ETZ21 Pro. It retains the super-thin design but ditches the USB port and can now be updated through the attached Nikon camera instead.
Viltrox has announced a new 16mm f/1.8 autofocus lens for full-frame Sony E-mount that features a large LCD screen for displaying current lens settings.
TTartisan has announced that its autofocus-equipped 27mm f/2.8 prime lens for APS-C cameras is now available for Nikon Z and Sony E-mount.
Meike has announced a new 85mm f/1.4 autofocus lens for Sony E, Nikon Z, Leica L, and -- surprisingly -- Canon RF mounts. If this stands, Meike will be the first third-party manufacturer to come to market with an autofocus-equipped lens for Canon's mirrorless mount.
When it was first introduced, many people sharply believed that autofocus would never have a clear place in the photography industry, puns intended. Why have a machine guess where to focus when you can just turn the focusing ring yourself? Today, autofocus systems are among the primary selling points for new camera and lens technology.
TTArtisan has announced that it is bringing its 27mm f/2.8 autofocus lens currently available for Fujifilm X-mount to both Sony E and Nikon Z-mount cameras.
Canon has released a firmware update that improves the intelligence of the EOS R3 camera. Namely, it is now able to "remember" faces so they can be preferentially detected and tracked.
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
If there is one thing that can be said about DJI's cinema camera endeavors, it's that they are unique. The Ronin 4D was already a major shift from traditional systems, and now the Ronin 4D Flex is yet another play on the design.
Response to the Lumix S5 II has been positive enough that Panasonic has all but confirmed that it will add phase detection autofocus (PDAF) to its future cameras, including Micro Four Thirds (MFT).
Fujifilm is addressing the autofocus performance of the X-H2S and has released an update for the camera to improve its subject detection and tracking algorithms.
The Sigma 60-600mm for Sony E-Mount is a versatile, compelling, and unique lens with a mindblowing 10x optical zoom range. As with any all-in-one lens, it’s not without its compromises, and the $2000 price puts it up against Sony’s native FE 200–600mm f/5.6–6.3 G OSS, even though the Sigma has a more versatile zoom range.
Sony's Alpha 7R V has the company's most advanced autofocus system that is remarkably powerful, but while the company has displayed its engineering prowess with Real-Time Recognition, it has also revealed its most significant weakness: interface design.
Raspberry Pi has announced the new Camera Module 3 in multiple variants that are higher resolution, feature autofocus and HDR, and that have the ability to capture both visible light and infrared.
AstrHori has announced an 85mm f/1.8 portrait lens for Sony E-mount full-frame cameras that promises high-end results for an extremely low cost of entry.
Reikan, the company behind the FoCal automatic lens calibration tool, is bringing its technology to smartphones with the FoCal Mobile app.
TTArtisan has released a new APS-C 27mm f/2.8 Autofocus Lens for Fujifilm X-Mount systems that costs a mere $150.
Sony has announced the Alpha 7R V full-frame camera which features a brand-new AI focusing system. Called Real Time Recognition, this “deep learning” trained system can detect not only humans but also birds, animals, planes, trains, cars, and insects.
Samyang Optics has announced the V-AF lineup of lenses, a new series of "world's first" autofocus cinema lenses for full-frame E-mount systems. The new lenses are designed to allow creatives to shoot videos more conveniently.
The Canon EOS R10 is tiny but mighty, sporting an advanced autofocus system, the ability to shoot 15 frames per second with its mechanical shutter, and a full-body APS-C experience.
The $250 Megadap ETZ21 Sony E to Nikon Z mount adapter allows Sony lenses to work on Nikon mirrorless cameras with full autofocus, aperture control, and in-body image stabilization in a design that is remarkably thin.
Nikon has announced a small firmware update 2.10 for the Z9 flagship camera which adds a high-frequency flicker reduction feature as well as further improves autofocus performance.
Meike has announced a super-affordable autofocus-equipped lens for Sony full-frame E-mount cameras: the 85mm f/1.8 STM. The company says the autofocus is fully supported by multiple Alpha cameras and even several APS-C E-mount cameras.
The Viltrox AF 13mm f/1.4 STM lens slots neatly into an existing range of Viltrox primes for APS-C cameras, a focal length that is notably absent from Fujifilm directly. The 13mm, which is equivalent to 20mm on 35mm full-frame, is fairly wide and works well for landscapes or architecture, especially for the low price of $429.
A professional photographer has analyzed more than 3,000 photos to see if cropping into a photo is better or worse than using a teleconverter.