Matt Williams

One of the most exciting advancements in digital photography over the last several years has been the rapid increase in the ability to shoot and edit RAW photos.

As cameras have rapidly evolved over the last decade, so have the requirements to get the most out of them. Specifically, what a photographer should care about when it comes to a computer has gone from simple, to somewhat complicated and often nuanced.

As an art form and a technology, photography’s youth is only matched by its blisteringly rapid advancement. This creates something of a paradox for us as enthusiasts and professionals, where the history of the medium we so love can feel both short and overstuffed. Neither condition is conducive to any one camera gaining, let alone maintaining, a sense of permanence or constancy.

From importing, to organizing, to the editing process itself, few tools have the capacity to define a photographer’s workflow like Adobe’s Lightroom. Of the program’s many indispensable features, the ability to create user presets ranks quite high: it offers photographers the ability to lock in preferred looks, adjustments, and settings for rapid implementation across multiple images. Better still, these presets are readily shareable, allowing users easy access to the settings required for virtually any desired result without going through the hassle of creating them themselves.

Over the last fifteen years, physical photography has become a rarity, even a luxury, for the everyday citizen. Modern cell phones have provided average folks with all the camera power they could ever need. Social media has rendered the storage and sharing of visual memories a strictly online affair. As with most recent innovations, the price for increased accessibility has been paid for in tangibility. What was once common has become quaint, what was universal is now bespoke.

Thanks to the smartphone camera, we can capture any memory we choose, at any time, but they’re more vulnerable -- and temporary -- than ever, but they all feel more temporary than ever. This is the modern paradox.

Seasoned photographers know that the search for the right laptop comes down to far more than a list of individually impressive specs. The perfect laptop for photo editing will not always be the one with the most bells and whistles, because perfection here is about so much more: usability, ease, intuition -- all the things that combine to create not just powerful imagery, but a powerful workflow as well.

Just after the Christmas of 1904, a group of lucky children nestled into their seats at the Duke of York’s Theatre in London for a night of whimsy and wonder. There, they witnessed the first adventure of a boy who could never grow up, clad in autumn leaves and cobwebs. Their eyes expanded with delight as he entered the room of children just like them, on a mission to retrieve a friend.

Not many people own a 4x5 camera let along actually use them, which makes Lomography's new LomoGraflok 4x5 Instant Back particularly interesting. It allows those with 4x5 Graflok-equipped large format cameras to shoot with Fujifilm Instax Wide film It's niche, but should appeal to a very small, but passionate, group of photographers.

Whether you are a working professional or a weekend hobbyist, the thrill of using truly exquisite gear is unmatched. We all work with what we have while salivating over what we cannot, and no matter how old we get, fancy toys never lose their luster. Do we need them? Probably not. Will we ever purchase them? Not likely. Will we spend hours staring at them? You bet. Nothing is as intoxicating to a photographer as good, outrageously expensive glass.

It was the kind of summer day that your mind instantly recalls when you hear the words “summer day”. Warm, sunny, gorgeous. William Meredith’s daughters, as was their habit when a day felt this good, lounging in the backyard, sunning in their swimsuits. All was peaceful -- until the girls entered the house, warning their father of an intruder in their backyard.

In early August, a new photography-based subscription-only social media app hit the iOS App Store. Called Glass, it touts itself as a new, distraction-free home for photographers that is focused on one thing: your photos.

I find it incredibly fun to use older, especially unique, digital cameras both as a challenge and for sheer enjoyment.

A lot of words have been written and exchanged about the difference between -- and possible advantages or disadvantages of -- CCD (charged-couple device) and CMOS (metal oxide semiconductor + active-pixel sensor) camera sensors. What really is the difference between them?

You've probably heard it before: a great tripod is one of the most valuable investments you can make as a photographer. Conversely, one of the worst investments you can make is buying a mediocre or straight-up bad tripod.

There is a purveying sentiment that cameras have only gotten more expensive over time. While there is certainly some validity in certain sectors of the market, the truth about camera prices over time is a bit more nuanced and complex than the average person makes it out to be. So, let’s take a look.

Nikon's recently announced Z fc is a camera that shows how not only can the company learn from and fix past mistakes, but also illustrate how it plans to succeed today as well as where the company can move in the future.

Just as there is hardly a one-size-fits-all best DSLR or best mirrorless camera for any given user, there is certainly not any single best application for everyone. Users’ needs and preferences vary wildly, especially considering the extensive capabilities of today’s iPhones.

The history of photography is over a century old -- in fact, it was 107 years ago that Oskar Barnack created the Ur-Leica, a camera that would later be known as the genesis of the 36x24 “full-frame” format. Since then, hundreds of companies across the world have, to varying degrees of success, produced everything from 35mm to 127 to an assortment of medium format sizes and finally to digital.

We are all likely familiar with Adobe Lightroom or Photoshop as far as editing applications go and a lot of people love these apps for their versatility and powerful suite of features. But they do come with a price, and paying a fee isn't always what every photographer is looking for.